Just wanted to tell you that you guys really are making AWESOME products, and most of my musician friends have started using them and a lot of them praise Studio One. In particular, we loved the stand-up bass sound that shipped with Studio One so much, that we actually left it on the record and never had a live bass player come and replace the MIDI. I have now made Studio One part of my studio tools and of course use PreSonus for my jazz band’s live performances. One of the powerful tools we used in producing this record is the PreSonus Studio One. My co-writer and co-producer Tom Rule used Studio One for his demo keyboard tracks at his home studio. When we brought the tracks in to my pro studio, Shadow Sound Studio, to finish adding real instruments and mix and master, I fell in love with many of the sounds included with of Studio One. My new CD, Mixture, was recorded with Studio One 2.5, has spent five weeks on the CMJ top 40 charts, peaking at number 9 alongside other jazz greats like Lee Rittenour, Chick Corea, Marcus Miller and Diana Krall. We’re getting many great reviews! I made the switch from analog to Pro Tools around 1997 and had used it ever since. After all the rest of us vanished into irrelevance, Pro Tools kept growing to become the de facto standard. The other guys who were always around were the guys from Digidesign, with their very early version of Pro Tools. In 1990 I was a rep for one of the early hard disc recording systems, ProDisk. I’ve been recording since 1971, starting when I was 18-mostly projects where I was part of the production, engineering, mixing etc., although I also worked as a staff engineer in studios during the 80s.
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